Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas The Concert in the cafe oil painting


The Concert in the cafe
mk206 1876-1877 Oil on tempera 57.5x45.5cm
Painting ID::  49919 		Edgar Degas
The Concert in the cafe
mk206 1876-1877 Oil on tempera 57.5x45.5cm
   
   
     
Edgar Degas ballerina being practising oil painting


ballerina being practising
mk206 1876-1877 Oil on canvas 75.6x81.3cm
Painting ID::  49920 		Edgar Degas
ballerina being practising
mk206 1876-1877 Oil on canvas 75.6x81.3cm
   
   
     
Edgar Degas Dancer entering with veil oil painting


Dancer entering with veil
mk206 1876 Oil on canvas 1879
Painting ID::  49921 		Edgar Degas
Dancer entering with veil
mk206 1876 Oil on canvas 1879
   
   
     
Edgar Degas Naked doing up her hair oil painting


Naked doing up her hair
mk206 1876-1877 Oil on canvas 21.5x16.2cm
Painting ID::  49922 		Edgar Degas
Naked doing up her hair
mk206 1876-1877 Oil on canvas 21.5x16.2cm
   
   
     
Edgar Degas After bath oil painting


After bath
mk206 1876-1877 Oil on canvas 21x15.9cm
Painting ID::  49923 		Edgar Degas
After bath
mk206 1876-1877 Oil on canvas 21x15.9cm
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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